St Michael Overcoming the Devil with Angels
Photo © Martin Crampin, Imaging the Bible in Wales
1921
Three-light window.
firm/studio: Morris & Co.
Church of St Cybi, Holyhead, Anglesey
Given in memory of Harry Adeane, Captain in the Coldstream Guards, who died at the first Battle of Ypres, 1 November 1914.
The composition of Michael here overcoming Satan is clearly inspired by the work of Guido Reni (1575-1642) painted in 1636 for Cardinal Francesco Barberini, in the church of Sta Maria della Concezione, Rome. (This is the painting in which Satan has the unmistakeable features of Pope Innocent X, compare with the portrait by Velasquez.) This was a popular work in the late nineteenth century (see the copy in a private collection from Carmarthenshire and the banner in St Michael's, Abertillery). Given the roots of William Morris and Edward Burne-Jones in the Pre-Raphaelite Movement, it is somewhat ironic to find that the inspiration for this design comes from a seventeenth century painting. However the window is more the work of the designer Henry Dearle, even though, as may be seen in the firm's work of 1927 in the north aisle, cartoons by Burne-Jones were still being reused in the 1920s.
Three-light window.
firm/studio: Morris & Co.
Church of St Cybi, Holyhead, Anglesey
Given in memory of Harry Adeane, Captain in the Coldstream Guards, who died at the first Battle of Ypres, 1 November 1914.
The composition of Michael here overcoming Satan is clearly inspired by the work of Guido Reni (1575-1642) painted in 1636 for Cardinal Francesco Barberini, in the church of Sta Maria della Concezione, Rome. (This is the painting in which Satan has the unmistakeable features of Pope Innocent X, compare with the portrait by Velasquez.) This was a popular work in the late nineteenth century (see the copy in a private collection from Carmarthenshire and the banner in St Michael's, Abertillery). Given the roots of William Morris and Edward Burne-Jones in the Pre-Raphaelite Movement, it is somewhat ironic to find that the inspiration for this design comes from a seventeenth century painting. However the window is more the work of the designer Henry Dearle, even though, as may be seen in the firm's work of 1927 in the north aisle, cartoons by Burne-Jones were still being reused in the 1920s.
Record added by Martin Crampin, Additional contribution by John Morgan-Guy. Last updated on 07-11-2012
For other views of this work click on the image(s) below:
This work is indexed under the following main subject(s):
for other works containing these subjects please click on the links.
Click here for other works at this site
Click here for other works connected to Morris & Co.
References
Martin Crampin, Stained Glass from Welsh Churches (Talybont: Y Lolfa, 2014), p. 196.
Click to show suggested citation for this record
Martin Crampin (ed.), Stained Glass in Wales Catalogue, University of Wales Centre for Advanced Welsh and Celtic Studies, Aberystwyth, 2012. (with a contribution by John Morgan-Guy)
https://stainedglass.delweddau.cymru/object/1149 (accessed 27 December 2024)
https://stainedglass.delweddau.cymru/object/1149 (accessed 27 December 2024)
Additional images at this site; by the same artist, designer or studio; or including a wider range of subject matter may be available on our related sites:
View this object on the Imaging the Bible in Wales database
View this object on the Stained Glass in Wales database
